something I learned in my first aquarelle class lesson: get to know your motive, and do so by going small (picture size) and large (brush). Postcard size is about right. You work fast, and start by painting a frame. Then you search the lines, and shapes, and colors. And ideally, you identify what works and what doesn't. And you might want to think about thrilling elements that you might want to bring out. And you might want not to think too much, but feel the brush and the paper and color. Yeah.... quite a lot, really.
This morning, I was trying this starting with a picture of an Alpine lake that I took about 2 years ago, in the late afternoon sun, mountains mirrored, no clouds, the mountains and surrounding area almost black, but a slope of the mountain reflecting the afternoon sun.
It is a nice and fast way indeed, great to test ideas. Starting with a picture is also helpful. You can easily measure distances, and proportions. Lesson learned, that goes far beyond painting a lake: Go small with your ideas, first.
The other picture in this post, a blue rose, shows you what can happen starting with a life rose, without sketching the rose with a graphite pencil... it "fell" out of the frame.
It was not planned like that, really.
But here's the thing: These little mistakes can actually make all the difference. The rose, for instance, suddenly becomes a picture in a picture and the entire scene gets another meaning. I could continue there, bringing in a bright orange around the frame, further underlying the picture in a picture, using a mistake and turning it into something positive.
So... what's the message here? I guess the message is that many mistakes aren't really mistakes. Jumping up, one floor higher, to see the total picture, many mistakes turn out to be pictures in a picture, leaving us with a positive note. Many, but not all. And finally, you have to try things out, right? Those who do not move make only one mistake: not moving. But that's a probably a very big mistake, and another topic.
OK, you probably want to know one of my mistakes, right? There are many. I think one of my biggest mistakes was my pricing, initially. And sticking with standard bottles for too long. And then switching to a pentagonal packaging that looked great but was impractical like it came from hell. Not the bottle. That's one of the best ideas that I had. This bottle, it really sticks out everywhere. And whenever I see a perfume lover sharing her or his collection: I see my babies in a blink of an eye. This flacon really pops out.
Anyhow: We are moving on here at tauerville. What's next? Putting Lonestar Memories into bottles. I can't go wrong there.