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developing a sensibility for French historical perfumes

hello, hello, hello!
I am sorry, but my plan to post here on my blog got a bit twisted due to little changes and me not really considering a couple of things: You know... a plan is always a plan and therefore prone not to work anyhow. Hence, after a great get away in Paris, visiting the really worth visiting van Gogh exhibition in the musée d'Orsay which by itself is worth visiting, in a city that is always worth visiting, independent of whether you hunt the city for perfume or not (I didn't), I got home and got a little hospital timeout that was planned as such. You know: 5 min. and home you go. The 5 min got a bit longer, and 48 hours later I am scuffling from here to there, not on my knees though. But definitively slower.

As this blog is not a sickbay reporting station: A word on perfume in Paris. I did not hunt perfume as I sort of landed from a highly enthusiastic state of "let's have a look at perfume!!!" there to total boredom within 1 minute. I visited a boutique as I saw the Tilleul by d'Orsay in their window, the Tilleul is one that I like and wanted to get it as a gift for a friend. The boutique owner, nicely and eloquently, started his prayer wheel and the following church service was like "here you find only the fragrances that were made in Paris centuries ago. Everything you see here is perfume art from about 200 years ago,blablabla...." And as much as I love the Tilleul and respect d'Orsay for their great fragrances that are modern and classic, I had to get out of there. D'Orsay was only one of many brands that was on the boutique's shelf. I could smell the cold humid scent of muggy air, feel the insurmountability of centuries gone by, rotten perfumes rising out of their graves, in search for the pure perfume loving souls and their Euros. I think I am developing a "French historical perfumes" sensibility.

Here's great news from the artist's diary. While taking a day off, I purchased some decent water color and some decent brushes and suffer since then. Either too much or too little water, color or both and yes: Not easy. Although, when watching these training videos on how to do watercolors it looks super easy. Trust me: Creating perfumes is exactly the same. You get the colors and brushes and start painting, and even if the first strokes look perfect, the painting doesn't. Funny side note: On the paper on which I test the mixed water colors I  have the brightest strokes. On my paintings, I don't ...

If I find time, I will try to paint today's picture: My zucchini plant in bloom. Such a great color.

Another great news: I get/fetch my Sotto la Luna : gardenia filled flacons these days. Another step closer there. Next: Printing labels and the cards for the packaging.

 

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